There is a field blur and a tilt-shift blur filter now, but neither of these are quite as useful or as good as the Iris blur. Content-aware Content-aware isn’t a brand new feature in CS6, but it is much better than its CS5 version. Content-aware is now available in the patch tool so that you can choose what gets replaced and where. In addition, you now have the ability to move people and objects to different areas in a photograph without the time or masks that were previously required to do so. CS6 allows you to make a rough selection of the object you want to move, and simply drag and drop that object wherever you want. Photoshop fills in the abandoned area, and it does it quite well. Now keep in mind you can’t take people from a grassy field to a beach without some extra work, but for moving objects a couple inches off, this tool is magical. There’s even an option to extend certain objects. The content-aware feature is a huge breakthrough, but for major changes, be prepared to do things the old-fashioned way.
Adaptive Wide-Angle Correction This was one of my least favorite tools only because I don’t use it in CS5 for anything. It’s being displayed a lot more prominently than it was before, but I’ve really never used lens correction for any of my photos. That being said, the update to this feature is leaps and bounds ahead of its older version. It works something like this: Adobe created a lens geometry database so that when you open a photo, Photoshop can discern the type of lens used from the metadata, and it is able to correct the photo based on how it “knows” the lens distorts your photo. It used to really screw up the photo because the software is essentially distorting the photo in an equal but opposite manner to compensate for the lens. Now, however, you have the ability to control where and how the software corrects the image by drawing lines for the software to straighten out. This point-by-point approach to lens correction allows you to take an image from a fisheye lens and create a “natural” perspective. It’s an impressive feature that I want to take advantage of more, but I’m not sure the opportunities will surface much. Layer selection If Photoshop is a car, the interface is the chassis, and the engine is layers. Layers revolutionized photo editing, and CS6 makes them even better. CS6 allows you to filter out different layers in the palette by name, kind, effect, mode, attribute, or even color. It gets even more specific, but I won’t go into that. All you need to know is for the editor like me who has about 50 different groups with 100 different layers in each, this is a game-changer. Background Auto-saving This was one of those “FINALLY!” moments for me. Your work can be saved every 5, 10, 15, 30, or 60 minutes automatically. I don’t know what took them so long, but a big pat on the back to Adobe for finally implementing this. There are hundreds of updates to CS6, and if I felt any of you wanted to read 30 pages of blog about it, I would most certainly type it all up. However, I’ll have to let you download it and decide for yourself. Photoshop is the king of photo editing, and all other editing suites are held to its gold standard. CS6 has proven it’s the best Photoshop yet, and while it’s still in beta testing, it’s completely free! Go get it right now. Seriously, stop reading this and GET IT NOW!
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